The Winner's Circle


Flagstaff Writers Connection Personal Essay/Short Story Contest Winners will read their pieces in tune with music around the theme of Grit, Grief, Gratitude in the Time of COVID. Please tune in, and be amazed!

APRIL 25TH 5-7 P.M.

1st Place Winner: "Inside the Maze" by Mark Ford
2nd Place Winner: "Observations from Death's Doorstep" by Terryl (T) Warnock
3rd Place Winner: "What's in a Mask?" by Anita Howard (read by Nancy Brehm)
Honorable Mentions:
    "Books and Bras in the Time of COVID" by Violeta Armour
    "Wounded Landscapes" by Naomi Morrison
    "Bread of Life" by Valerie Foster

Introduction by Barbara Shovers
DJ: Tim Aydelott


"Inside the Maze"

. by Mark Ford

Inside the Maze

“There must be some way out of here,” said the joker to the thief.

“There’s so much confusion now, I can’t get no relief.”

He hides in the dead ends and corners of the maze. He drifts down, a sickly miasma, Angel of Death. COVID-19 lurking, waiting. Waiting for me to make a false move. Keep moving, keep moving, I can’t let him catch me. Where is the door? There must be some way out of here.

On the maze of sidewalks people approach wearing surgical masks, eyes looking out, cautious, fearful. No greetings, no smiles. The masks are mostly black or white. Some are colorful, one has large teeth where a mouth should be. Day of the Dead? I feel a chill. People move away. They leave a wide berth. Not everyone has a mask. Those who don’t sometimes walk very close as they pass. I can smell them. College girls with perfume. Grumpy men with bad cologne. Danger, danger, I try to avoid these people. Homeless men with dirty jeans and backpacks don’t crowd. Masks pulled up; they are used to keeping their distance.

In the forest, out among the pines there is someone without a mask, a yellow dog pulling her forward. She sees me and stops. She pulls up her mask and walks forward. Both of us leave the path to avoid each other. She passes quickly. The dog looks back.

On the golf course we social distance. One at a time on the tee. One at a time on the green. No rakes in the bunkers, don’t touch the flagpoles, whatever you do, don’t shake hands. Etiquette is gone. I pull up my mask and go to the sterilized club house, then home to a Zoom meeting.

Zoom. Zoom has taken over everything. People without masks staring back from computer screens waiting their turn to talk. Who are these people? Some I know, most I have seen only inside the computer. I think they are real. How can I be sure? They talk back. A.I. talks back. Where am I? Is that really me in the box on the Zoom screen? Zoom is safe.

Pods are safe. Pods are everything. Who is in your pod? Mom and Dad, Grandma and Grandpa. We’re all very careful. We shop correctly. Curbside pickup. No going in stores. We used to go in stores with arrows on the floor telling us which way to go. Too dangerous now. People might breathe on us or touch the food we eat.

Are we doing everything right? I think we do it to protect the kids. Kids? Kids don’t get sick. Or do they? Maybe we do it for Grandma and Grandpa. Sometimes Kylie cheats. Can we kick her out? Out into the cold where she has only Zoom friends. No, she’s a little sister. We just worry.

Kids Zoom to school. Distracted kindergarteners, eyes wandering around a room the teacher can’t see. They seek approval. Teacher affirms through the computer screen. The child wants more. The child is distracted again. Some kids learn by touch – no touching in Zoom school.

The high school kids pretend to watch the teacher, texting on cell phones held just below the laptop camera. Do they eye each other through the Zoom? Virtual dates? Virtual longing. Virtual loneliness.

Who’s watching? Who’s checking? Someone must be watching, monitoring. Do they use A.I. to make sure we do things right. Do they know if I cheat?

Cash is good for cheating. On the paper money it says, “Legal tender for all debts, public and private.” Some places won’t take it now. Mario’s Taco Drive-Up takes cash. The liquor store takes cash. Liquor stores are important. Who is watching? Is COVID real?

People die from COVID-19. People I know – knew when they were alive. It must be real. I’m sure it’s real. What if I get sick? I heard it was like the flu. But Gary had a ventilator tube put down his throat. People on ventilators don’t recover – most don’t. Gary recovered. He said he wanted to die but he couldn’t talk. He couldn’t tell anyone to let him die. Merciful Angel of Death didn’t show up. He’s glad now.

So I wear a mask, don’t go in crowded stores, social distance, don’t go to gatherings – especially indoor gatherings. Politics, politics. If I were a far-right conservative, I would know the whole thing is a hoax. I wouldn’t have wear a mask, I wouldn’t have to follow rules. But I’m a liberal so I follow the rules. Who is watching?

Vaccine? Is vaccine the way out of the maze, the way past the angel? Will it work? Where do I find it? Is this a trick?

There must be some way out of here.


"Observations from Death's Doorstep"

.     by Terryl Warnock

Observations from
Death’s Doorstep

When someone was recovering from a serious illness, my mother would say that they had been to death’s doorstep and back. I thought about that mom-ism a lot while the Coronavirus and I spent two desperate, miserable weeks camped out on Death’s doorstep. I lay there, beached. Stuck on the threshold between this world and the next, gasping for air. Too sick to live, surely, but apparently not sick enough for the Grim Reaper to grant me the quick, merciful passage I prayed for.

His Elusive Majesty’s doorstep reeks of bad breath and body odor, of vomit and terror. This is no portal to the fragrant shimmering garden beyond; it is a place to be waylaid by despair. A place to die alone and unnoticed.

~ ~ ~

I wake in the smallest, meanest hours of the early October night, breathless. I am dizzy and my heart rate is hummingbird fast. More of a buzz than a beat. I am coughing so hard I fear my body will turn itself inside out, so hard I retch bile. I have never been this sick before. I am desperate for air and can’t get it. I try Yogic breathing to deepen my breath, center my awareness, and calm my frantic heart, but it does not help. This is what it’s like to suffocate. To drown. To hang by the neck until dead.

I tell myself it can’t be Coronavirus. I’ve been so careful. I’ve been so good, but a part of me knows, even before diagnosis, it is Coronavirus that has reduced my world four steps in size. I can go no further than that without having to stop and catch what breath I can. My sister brings a walker with a seat so I can go my four steps, sit down to recover, and then go four more.

The first few days I sleep fitfully round the clock. During brief semi-lucid moments of consciousness, I pray to the Grim Reaper for release. I bargain with Him. I beg Him to review my lifetime and be reasonable. “I am not afraid of you!” I shout as I pound his door, “I am not the stuff of which martyrs are made! I do not deserve to suffer like this!” He remains mute and withholds His favor. The prick.

By the fourth day I am delirious. I needed to bathe. I can no longer stand the sticky, greasy clothes clinging to me like a funeral shroud, or the stench of my own body. Mine is an acrid, falsetto reek and although I can’t manage even a spit bath, my sister helps me into clean jammies. I have never been so grateful and happy for clean skivvies and socks. It is a whole new lesson in powerlessness.

On the fifth day I call my sister and beg for permission to die at home.

People come and go. Even when my eyes are open my brain doesn’t have enough oxygen to process information. I must be nagging and pestering about care of my critters because I am reassured over and over they’re being taken care of. Short of the death I pray for, it is enough.

Someone presses a glass of orange juice into my hand. It doesn’t taste good but my body responds so I am thankful for it. When asked, I can’t say how long it’s been since I ate real food. My niece goes to the grocery store and comes home with a mountain of canned soups and protein shakes.

Time stretches long and the nights last an eternity.

I spend inordinate amounts of time staring into space, just trying to breathe. I’ve always spent time staring into space, but these are not the gentle daydreams of yore, soft with warmth and curiosity. I glare into the Great Beyond, fists clenched, sucking at air I can’t get like a beached fish. My reptilian brain mandates the continuation of the autonomic effort. This is primal, savage survival mode. It is an exercise in futility, but so powerful is the reptile’s mandate to breathe, so complete and undeniable is the ancient brain’s sovereignty, that I reach for it anyway. I stare into infinity at the distant past of my species, glassy-eyed and helpless, unwashed and stinking, as I wait on Death’s doorstep, and strain and pant.

I reach out to my inner reptile to inform her that she is keeping me alive against my wishes. When she answers, I come to understand whence came the mythic fire-breathing dragon. She is lizard greenish-brown, but her tongue is bright red, licking my fevered mind like flame as she says, “I am sub even to your subconscious. Your precious mind is not in charge here now. It was I who allowed—commanded—your ancestors to survive, to reproduce preferentially. To take over the world. Now. You. BREATHE. And you reach for it with everything you’ve got.”

I counter weakly “You remember we’re post-menopausal, right?” but, having no choice, I reach for it with everything I’ve got.

By late October, I gradually begin to realize I’m not quite so pissed off that the sun is coming up and that His Elusive Majesty has disappointed me again. I begin to remember conversations with people. I see my Dragon Lady less and less. Sometimes I take a couple of steps away from the walker and have to turn back for it.

By the beginning of the new year I am flotsam in the wreckage of the Coronavirus’s wake along with so many others. The disease has taken much from me. It has taken my business, my hair, my beloved book club, my appetite, and my ability to read all but the most superficial of life’s words: signs, labels, instructions, mail. I still get winded after four steps and Doc says the damage to my lungs may be permanent. We won’t know for a year. Meanwhile this is the new normal. My ability to find healing sleep has vanished. This is the worst of it. I pull all-nighter after all-nighter, jumpy and agitated. There is no relief. Without sleep I become paranoid and irrational. Angry.

The Coronavirus has cost me dear, but mine is a mild case. It has cost hundreds of thousands so much more. I’m one of the lucky ones and I know it. I grieve with, and for, the dead and their families.

~ ~ ~

For all it took though, there are blessings to be found floating out here amongst the wreckage in the Coronavirus’s wake. My time on Death’s doorstep put me in touch with both my mortality and my immortality. I live on in this world, but have a different perspective now that I have spent time on that reeking doorstep pondering the Great Beyond. I have looked into the unimaginably ancient history of my species to touch my inner Dragon Lady. She, at least, is not willing to give up without a fight. The Coronavirus took much, but left me with my life. Life is good, even as a Coronavirus long-hauler. Although I know much more about Him now for camping on His doorstep, the Grim Reaper, having denied my request for passage, remains His Elusive Majesty, aloof and unknown. We are still mere distant acquaintances and for this, for my life, I am truly grateful.


"What's in a Mask?"

.    by Anita Howard

What’s in a Mask

I walked through the San Diego airport with my husband. We had expected temperature checks, health questionnaires-something! After the constant intrusion of Covid into our itinerary in Vietnam and Thailand, it felt oddly discordant, this normal. When we left on our trip, we had barely heard the term Covid. It had been pleasant in great part because of the dearth of Chinese tourists who make up the bulk of normal year tourism in Asia. Usually crowded restaurants, beaches and attractions were at half capacity. The locals had an air of desperation as their businesses struggled. Our van driver asked us to record a short video, reassuring hesitant American tourists that we felt quite safe here. By good luck the audio was unusable.

When we got home, our daughter and her family were at our house. She was working from home and her husband was doing a remodel of a condo in town. We were going to watch the twins several days a week. The virus was but a backdrop still. The first sign it had flipped a page was that the babysitter they had hired quit suddenly to care for her parents in Kayenta. She tearfully told us of relatives becoming severely ill. Then we heard of a father-in-law of a cousin dying. And others. We decided to forego a babysitter.

We held a family meeting and set out guidelines. We agreed we needed to be “very careful”. However, the parameters of “careful” varied from person to person. Our son-in-law had the greatest exposure and showered each afternoon in the basement before coming into the house proper. We sterilized his clothes. We washed all our groceries before the risk of transmission by objects was found to be minimal. We limited trips to the store.

The ebb and flow of this pandemic awareness has sometimes been jarring. Our younger daughter’s job moved to remote in March; after quarantining, she came to join us. At first, there was an excitement akin to summer break when the kids all come home. We watched more movies and walked more. In the woods, the girls swung buckets filling them with pinecones. We devised activities to keep them entertained when the house became confining. We grabbed all the musical toys, threw the doors open and drummed, jingled and tooted through the house, the girls singing “parade, parade, parade.” Through the eyes of children, the pandemic looked very different.

At first, finding recipes on Pinterest and cooking elaborate meals was fun. We baked sour dough bread and made stock using every scrap of vegetables, pleased with our thrift. A whole new community of stock-boilers and bread-bakers burgeoned online. We put little jars of sour dough starter Flagstaff Marketplace and were excited how many were snapped up.

But after a time, what had felt like summer camp turned to mandatory study hall.

“Is it your turn to cook tonight?”

“No, I thought it was yours. I cooked two nights in a row last week.”

And it became clear there was no answer as to how bad this would get and how long it would last. One day I stood in the aisle at Safeway looking at the empty shelves. I walked out empty-handed and sat in my car. I watched young and old, masked and unmasked just out for a trip to the store. How many are hit with tragedy, being unaware of the fragility of normalcy before the unthinkable happens?

In July, our kids went back to their homes. The withdrawal of two-year-old twins from a space is an adjustment you can’t prepare for. The quiet was enjoyable at first but left us with too much time to observe, to reflect. Nationally, the initial energy of this novel shared experience was replaced by Pandemic fatigue. Politicization and divisiveness swelled. The skill with which some manipulated the American psyche was disturbing. For what purpose? We had not expected political hay to be made from the magnitude of this suffering. It was hard to stay off the rollercoaster of “it’s just like the flu” trivialization or “half a million will die” alarm.

Having kids who could all work from home allowed us to feel our bubble was safe. We also had one couple we saw. They were just as careful as we were, having grandkids, even a pandemic baby. They were in our bubble as well, until one slip-up. My nephews, whom I hadn’t seen in years, came through and stopped for a quick hello. They’d been out camping—no hotels, no restaurants. We masked. We kept distance. Two days later, I was in the car with my friend driving, when my nephew called to let me know that one of his camping-mates, had tested positive. The guilt at having exposed my friend was overwhelming. Disproportionate middle-of-the-night fear led me to question if our friendship would survive this. They and I tested negative, but it left a trail of unease. Now we aren’t in each other’s bubble. We can only meet outside. In winter.

It’s just my husband and I now. We don’t go anywhere. The holidays carry a sense of vacuity as festiveness just brings guilt. Excessive Christmas cookie consumption fails to bring the usual pleasure. Exchanging treats has logistical issues and we question whether we should eat the few that friends drop off. The rare trips to the store are sprints in and out. Jetting through the grocery aisle the day before Christmas, I passed a lady in a calf-length skirt, long hair pulled back in a bun. She was unmasked and talking on her phone, laughing loudly. “Wear a mask”, I said, probably not loud enough for her to hear. Resentment flared replaced by embarrassment as I realized I knew her.

Some sense of aloneness is inevitable. Melancholy uses distance as a buffer, yet also brings a yearning for closeness. Constant togetherness can obscure those chance opportunities for intimacy. Irritability and weariness diminish the energy for it. Being “in pandemia” condones putting off habits of better health and indulging in less wholesome ones; forgoing things that truly bring joy for those that bring only enjoyment. But it also exposes the rawness of the need for family and those few friends held close. It brings a sense of community with those who share a moment, an interest or a passion.

I am so grateful that my parents passed before I had to negotiate this pandemic with them in the nursing home; before I saw the faces of the elderly trapped in their rooms, frail hands pressed on windowpanes. I watch their suffering and can’t help suffering with them on my parent’s behalf. Our common humanity rises above this as it’s unavoidably clear how “in this together” we are.

Processing the consequence of this on us all will be better done from some distance. From this vantage point, I can’t say whether I will look back on this with more gratitude for trivialities discarded and bedrock reclaimed than with sorrow at what we have all lost.

Grit, Grief, and Gratitude in the Time of Covid

Write an essay or personal story about experience with Coronavirus that includes one or more of the thematic elements: Grit, Grief and/or Gratitude in the time of Covid 19. This contest is open to all. 

  • Essays should be previously unpublished.
  • Length 1-5 pages with 1 inch margins, double space, 12 pt font. (Limited to 1250 words.)
  • Entry fee $10

Deadline: Feb 1st 

Winners announced March 1st

First, Second, and Third place winners will have the opportunity to publish their work on our website.

First Place wins $100 

Second Place wins $50 

Third Place wins $25 

For more information, email

Ready, Set, Write

Flagstaff Writers Connection is a big fan of NaNoWriMo. We host multiple write-ins in the month of November and encourage everyone to write their novel in the 30 days of November.

Now Flagstaff Writers Connection wants to introduce a new October tradition: 

Ready, Set, Write

NaNoWriMo Applied by Suzanne Pitner

Everyday in the month of October we will host a Zoom with 1-3 writing exercises to get you ready to write a whole novel in November. You do NOT have to be a contestant in NaNoWriMo to join the fun. Exercises will be geared to all kinds of story development at all speeds.

15 Techniques of Brainstorming for More Effective Sessions - nTask

We will cover:

  • Brainstorming an Idea
  • Filling in the Plot Points
  • Character Development
  • Setting and Worldbuilding
  • Terrible Endings
  • Twists and Reversals
  • Important Scenes
  • Problem Solving/Getting Stuck

Sessions will be everyday at 12:15-12:55 on this Zoom Link
Meeting ID: 975 7936 9345
Passcode: 5WS8M3
Bring paper and pen or a computer for writing. If you miss a session the sessions will be posted HERE.

Thinking through the keyboard | Karavansara

Get ready to smoke the competition!

Pin by Nina Moret on Top Cars | Lamborghini cars, New sports cars ...

Playwriting Workshop: Bringing Your Story to Life

We're Back! Did You Miss Us? | DDO Players
Ever wondered what it would be like to see your story on the stage? 

Afflicted: Daughters of Salem by Laurie Brooks,
commissioned and premiered by the Coterie Theatre, Kansas City, MO
Flagstaff Writers Connection presents three workshops with 
Laurie Brooks.

Award-winning playwright Laurie Brooks has graciously offered to donate her time to give three workshops. Playwriting develops skills that enhance all types of writing. Participants will discover the art of playwriting through instruction, writing exercises, discussion and laughter. 
Triangle by Laurie Brooks,
commissioned and premiered by Arizona State University.
Each participant will have the opportunity to write a ten-minute play worthy of entry into Northern Arizona Playwriting Showcase (NAPS). 

 Workshop #1

 Workshop #2

 Workshop #3

 7/10/20 7/18/20 8/8/20
 10 am-2 pm 10 am-3:30 pm 10 am-3:30 pm

 Play Structure


 Dramaturgy Tutorial

 Character Development


 Informal Readings of 10 min Plays

 Dramatic Premise & Theme


 Thoughtful Feedback

 Review and Renewal 

Stage Direction                   


The first workshop is $25 and the other two Workshops costs $50
Or register for all three at once for $125. 

If you already attended the first workshop, it is FREE to attend the refresher on 7/10/20.

The Third Workshop will be held at Nancy Brehm's house on her outside patio.


9:30 am-10:00 Registration and Social
10:00-12:00 Instruction
12:00-1:30 Lunch (Brown Bag it, or eat downstairs at the Oakmount Restaurant)
1:30-3:30 Instruction

Laurie Brooks is an award-winning playwright and young adult fiction author. Her eighteen published plays have been commissioned and premiered at equity theaters across the country, including The John F. Kennedy Center. Her young adult novel is Selkie Girl, published by Alfred A. Knopf, Random House Children’s Books. The recipient of three Distinguished Play Awards and the Chorpenning Cup from The American Alliance for Theatre in Education, AT&T FirstStage Grant, New York Foundation for the Arts grants and multiple new plays supported by the National Endowment for the Arts. Laurie has been Professor at New York University, where she graduated with an MA in Educational Theatre, and Artist in Residence at University of Texas Austin, Arizona State University and The Coterie Theater, Kansas City, MO. Four of her plays were commissioned and premiered in Cork, Ireland.                                                        She has presented writing strategies on theatre, playwriting and fiction writing across the country, including at Theatre Communications Group (TCG) National Conference at the Guthrie Theatre, the HYPE Institute at Alley Theatre in Houston, the ASU Piper Writing Center and the National Conference of Teachers of English, (NCTE) ALAN Conference. Above all, Laurie loves the collaborative nature of theatre and sharing the craft of writing with others.


Magical Realism and Feminist Subversion in China and Beyond

Thursday, Nov. 7, 4:00 pm in Liberal Arts Building #136

How do Chinese activists today get around increasingly repressive political censorship? While the pro-democracy demonstrations in Hong Kong, and Beijing’s severe reaction to them, confirm the lack of rights in China, young people on the Mainland are creating more roundabout ways to communicate their subversive ideas. 

Online literature in China flourishes, with reinventions of traditional genres such as sword-fighting, with a subversive, contemporary edge. Young women use creative linguistic innovations to subvert censorship of feminist social media. After the censorship of the Me Too movement, they used the emojis of rice (mi) and rabbit (tu) in place of the English words (homophones for “Me” and “Too”). 

Persecution of feminists in China is on the rise, with both activists and authors imprisoned. Through the veil of magical realism, brave women continue to voice opposition via hugely popular online novels. As repression increases, so does resistance. This is similar to how magical realism was originally used in Latin America to criticize dictatorships while avoiding political censorship and persecution. In addition to the China focus, this lecture provides keys to understanding magical realism, including how the imagination shapes our ways of seeing and acting in the world. Drawing from my book Décoloniser l’imaginaire: du réalisme magique chez Maryse Condé, Marie NDiaye; et Sylvie Germain (L’Harmattan, 2007), it includes examples from China, the Francophone world, and beyond. 

Professor of Literature Kate Rose is currently on leave from China University of Mining and Technology. She graduated Magna Cum Laude from Boston College and went on to get her PhD in Comparative Literature from Université de Montpellier, France. 

She is the author or co-author of multiple books, chapters, academic articles, and reviews on feminism, traumatic memory in literature, social linguistics, French Literature, Chinese literature, and indigenous literature of the Americas. She is also the author of several fictional short stories and one novel.

She is the editor of a forthcoming book in Routledge’s Series on Contemporary Literature, titled Displaced: Migration, Indigeneity, and Trauma. Currently she is seeking a department at NAU interested in integrating her interdisciplinary and international teaching and research. In the meantime, she works as a freelance editor, and part-time for a local publishing house. 

Write Your Novel in November

Want to be inspired to write that novel you've been planning, but feel like you don't have the time? Trying to overcome a huge case of writer's block? Want to meet other writers? NaNoWriMo  or National Novel Writing Month is you chance.

Each year on Nov. 1 about half a million writers from all over the world converge on the internet and at local Write-In locations to work toward the goal of creating a 50,000 word novel by 11:59 PM on Nov. 30. That's a novel about the size of Catcher in the Rye.

The event began in 1999, and in 2005, National Novel Writing Month became a 501(c)(3) nonprofit. NaNoWriMo’s programs now include National Novel Writing Month in November, Camp NaNoWriMo, and the Young Writers Program.

In 2017:
  • 402,142 participants, including 95,912 students and educators in the Young Writers Program, started the month as auto mechanics, out-of-work actors, and middle school English teachers. They walked away novelists.
  • 972 volunteer Municipal Liaisons guided 646 regions on six continents.
  • 1,195 libraries, bookstores, and community centers opened their doors to novelists through the Come Write In program.
  • 65,962 Campers tackled a writing project—novel or not—at Camp NaNoWriMo.
  • In past surveys, 86% of respondents said that NaNoWriMo helped them learn what they can accomplish when determined. 89% of respondents said that NaNoWriMo made them more excited about writing and 87% of student participants in our Young Writers Program said that it made them more confident writers.
  • Hundreds of NaNoWriMo novels have been traditionally published. They include Sara Gruen’s Water for Elephants, Erin Morgenstern’s The Night Circus, Hugh Howey’s Wool, Rainbow Rowell’s Fangirl, Jason Hough’s The Darwin Elevator, and Marissa Meyer’s Cinder
  • Each year, authors offer mentorship to our participants through pep talksPast author mentors have included Gene Luen Yang, Roxane Gay, John Green, N. K. Jemisin, and Veronica Roth.

Become a Participant

To get started in NaNoWriMo, use this Step by Step Guide:
  1. Fill out a Profile so other writers with similar interests can find you.
  2. Brainstorm a story for your Novel with Flagstaff Writers Connection.
  3. Announce your Novel to the world. This will help you stay the course when things get tough.

  4. Plan the plot for your Novel with NaNoWriMo, or NaNo Prep or C. Alex Smith. Or don't. Pantsers welcome!
  5. Select Flagstaff AZ as you home region.

    Each region has leaders who schedule meet and greets and writing sessions which usually take place at coffee houses or bookstores. Our leader is Cory. These sessions encourage writers to collaborate and share ideas. If you’re not into the idea of writing in public, the NaNoWriMo website also has numerous message boards so you can talk to writers from all over the world.
  6. Come November, WRITE! And earn Badges for reaching milestones.
  7. Get help when you get stuck. The encouragement that you receive is unparalleled. The website even e-mails inspirational quotes and messages to your WriMo inbox daily.
  8. Update your word count until you get to 50,000 words or more.
  9. Claim your Win by pasting the full text of the novel into the NaNo word counter. Winners can also claim prizes. You can even get a free copy of Scrivener for winning.
  10. NaNoWriMo also hooks you up with people who can help you find out what to do with your novel once it’s been completed.

NaNoWriMo Kick Off Event on 10/31/19

Start your NaNoWriMo challenge out at the stroke of midnight at the IHOP on Rte 66. Festivities start at 10 pm and last until 1 am. Costumes welcome. At midnight we settle in to write those first words of our 50,000 word challenge.

Write-Ins and More

11/1 Noon-3 pm Lowell Observatory Pizza Party and Write-In 
11/2 3-5pm A Writer's Toolbox Workshop at Main Library in Flagstaff
11/4 1:30-3:30 pm Literacy Center Write-In
11/5 Noon-1pm Writers Who Lunch at Main Library and 6-9 pm Write-In at Bookmans
11/7 12-2 pm East Side Writers at East Library on 4th St. 
4-6 pm Magical Realism Lecture at Liberal Arts Building, NAU Rm 136

6-9 pm The Written World at Mother Road Brewery on Butler 

6:30-8:30 pm Shut Up and Write at Flagstaff Main Library
11/8 Noon-1 pm Writers Who Lunch in Flagstaff Main Library
11/9 9am-Noon Cline Library Write-In at Room 131
Inspiration on Tap at Uptown Pub 3-6 pm
11/11 1:30-3:30 pm Literacy Center Write-In
11/12 Noon-1 pm Writers Who Lunch at Flagstaff Main Library
6-9 pm Bookmans Write-In
11/14 Noon-2 pm East Side Writers at East Flagstaff Library on 4th St
6:30-8:30 pm Shut Up and Write at Flagstaff Main Library
11/15 Noon-1 pm Writers Who Lunch Flagstaff Main Library
11/16 9 am-Noon Cline Library Write-In Room 131
3-5 pm Surviving the Last Half of NaNoWriMo Flagstaff Main Library
11/18 1:20-3:30 pm Literacy Center Write-In
11/19 Noon-1pm Writers Who Lunch Flagstaff Main Library
6-9 pm Bookmans Writer-In
11/21 Noon-2 pm East Side Writers at Flagstaff East Library on 4th St.
5:30-?? Special Written Word at Charley's Bar and Grill
6:30-8:30 Shut Up and Write at Flagstaff Main Library
11/22 Noon-1 pm Writers Who Lunch at Flagstaff Main Library
11/23 9 am-Noon Cline Library Write-In Room 131
11/25 1:30-3:30 pm Literacy Center Write-In
11/26 Noon-1 pm Writers Who Lunch, Flagstaff Main Library
11/28 Thanksgiving
11/30 10 pm-1 am Close Out Bash at IHOP on Rte 66

More from


Library of the Damned

Image result for banned book week 2019

The Literary Community comes together each year in the last full week of September to honor our freedom to read and share ideaseven unpopular ideas. Banned Books Week spotlights historic and current attempts to censor literature in schools and libraries.

Related image
You might be surprised at some of the books that have been banned in the past. Here is a short list:
  • The Call of the Wild by Jack London
  • The Grapes of Wrath by John Steinbeck
  • All Quiet on the Western Front by Erich Maria Remarque
  • Animal Farm and 1984 by George Orwell
  • As I Lay Dying by William Faulkner
  • The Giver by Lois Lowry
  • Harry Potter by J. K. Rowling
  • A Farewell to Arms by Ernest Hemingway
  • To Kill a Mockingbird by Harper Lee
  • The Color Purple by Alice Walker
  • Beloved by Toni Morrison
  • Lord of the Flies by William Golding
  • Brave New World by Aldous Huxley
  • Fahrenheit 451 by Ray Bradbury (Some people have an underdeveloped sense of irony.)
Think of how much poorer your life would have been if the censorship of these books had been successful.

This year Flagstaff Writer's Connection invites you to read a brief excerpt of your favorite previously or currently banned book and post it to our website in the comments below. Or you can post it to our Facebook Page. You can also put it on You Tube and submit it to the National Virtual Read Out.

Here are some lists of Banned Books:

10 Classics
50 Books that were Banned
Banned and Challenged Classics
Top 11 Challenged Books of 2018
33 Must Read Banned Books

Learn More about Banned Books Week:

Banned Books Week Org
Banned Books Week on Facebook
American Library Association
Support the Right to Read
Bookmans of Flagstaff

The Handmaid's Tale by Margaret Atwood
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